![]() ![]() | Popular music-Production and direction. paper) Subjects: LCSH: Popular music-Philosophy and aesthetics. | Includes bibliographical references and index. Description: Cambridge, MA : The MIT Press, 2016. Title: Digital signatures : the impact of digitization on popular music sound / Ragnhild Brøvig-Hanssen and Anne Danielsen. Library of Congress Cataloging-in-Publication Data Names: Brøvig-Hanssen, Ragnhild. Printed and bound in the United States of America. This book was set in Stone by the MIT Press. ![]() No part of this book may be reproduced in any form by any electronic or mechanical means (including photocopying, recording, or information storage and retrieval) without permission in writing from the publisher. © 2016 Massachusetts Institute of Technology All rights reserved. ![]() The MIT Press Cambridge, Massachusetts London, England Ragnhild Brøvig-Hanssen and Anne Danielsen 1 Introduction: Digital Technologyand Popular Music Sound.Ģ Making Sense of Digital Spatiality: Kate Bush’sEerie Collage.ģ The Instrument Formerly Known as the Machine:Hyperaccuracy and Sonic Richness in Prince’s “Kiss”The.Ĥ The Rebirth of Silence in the Company of Noise:Portishead Going Retro.ĥ Cut-Ups and Glitches: The Freeze and Flowof Los Sampler’s and Squarepusher.Ħ Seasick Computers: Microrhythmic Manipulationin the Era of Endless Undo.ħ Autotuned Voices: Alienation and “BrokenheartedAndroids”.Ĩ Popular Music in the Digital Era.ĭigital Signatures The Impact of Digitization on Popular Music Sound ![]()
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